Eu imi cant trecutul

The visual discourse of the work explores the ontology of post-mortem material transformation, articulating a posthumanist perspective on corporeality. The sacred geometry of the cubic structure, interconnected through networks of knotted threads, functions as a simulacrum of organic processuality, capturing the dynamic between entropy and regeneration. Within this framework, biological finitude is not understood as extinction, but as material transmutation, in which vital energy is systemically redistributed into new existential configurations.

Through its materiality and textural density, the work suggests the immanence of affective memory within the physical substrate, operating at the intersection between the organic and the mineral realms. The object thus becomes a speculative projection of the posthuman body, an entity that transcends biological limits, continuing to generate meaning and communicate through its material traces, thereby affirming the continuity of existence beyond the temporal boundary of life.