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"Instalație umedă după uscare" is a site-specific intervention situated between in situ installation and land art, created using two types of domestic materials: clothesline wire and wooden clothespins.

The work not only references Wet Installation (1970) by Ana Lupaș, a performative action and land art installation in the village of Mărgău, Transylvania, but also enters into a direct dialogue with it, pointing to a later stage of that original condition through a form of social irony.

The installation reflects both on the erosion of tradition and its absence in relation to the present, where the lines traced through the intervention become echoes of a forgotten time, and on a possible shift in paradigm in which material becomes immaterial through processes of evaporation, drying, and exhaustion.