Tubular Mesh

Leaving behind the "Windbell or the Simulation of Paradox" series, in which interactive installations were deliberately left entirely uncontrolled, the paradigm shifts in the proposed work. This marks the first object in which sounds are relatively regulated, with frequencies varying from one element to another, allowing the possibility of playing with different tunes.This reinterpreted object is now placed within a natural environment, where it is influenced not only by human interactions but also by weather. At its core, this work serves as a portal to childhood, a space where instinct is given free rein—recalling a time when exploration was driven purely by the pursuit of joy. It seeks to evoke sensory experiences unmediated by judgment, immersing the participant in the immediacy of the present moment. The work alludes to the tactile memory of plunging hands into sacks of wheat and beans at the market or the uninhibited curiosity of encountering a musical instrument for the first time, engaging with it intuitively despite a lack of formal knowledge.